This visual stockroom showcases an impressive range of high quality contemporary Australian art by established, mid-career and emerging artists. Copyright © 2004 - 2011 Richard Martin Art
Friday, 20 December 2013
Tuesday, 26 November 2013
A CorriLee Foundation Fund Raising Event || TO BE OPENED BY EDMUND CAPON
Corrilee Foundation
one-night-only fundraiser
Thursday 28 November 2013
one-night-only fundraiser
Thursday 28 November 2013
A
CorriLee Foundation Fund Raising Event
TO BE OPENED BY EDMUND CAPON
'Nana No Hats' (edited by Ita Buttrose) Cook Book Launch for Alzheimer's Australia including a Food Photographic exhibition of Laura Robin's work
TO BE OPENED BY EDMUND CAPON
'Nana No Hats' (edited by Ita Buttrose) Cook Book Launch for Alzheimer's Australia including a Food Photographic exhibition of Laura Robin's work
Corrilee Foundation
one-night-only fundraiser
Thursday 28 November
one-night-only fundraiser
Thursday 28 November
A CorriLee Foundation Fund Raising Event
TO BE OPENED BY EDMUND CAPON
'Nana No Hats' (edited by Ita Buttrose) Cook Book Launch for Alzheimer's Australia including a Food Photographic exhibition of Laura Robin's work
- See more at: http://www.richardmartinart.com.au/pages/exhibitions.php#sthash.i0j1dh68.dpufTO BE OPENED BY EDMUND CAPON
'Nana No Hats' (edited by Ita Buttrose) Cook Book Launch for Alzheimer's Australia including a Food Photographic exhibition of Laura Robin's work
Corrilee Foundation
one-night-only fundraiser
Thursday 28 November
- See more at:
http://www.richardmartinart.com.au/pages/exhibitions.php#sthash.i0j1dh68.dpuf
one-night-only fundraiser
Thursday 28 November
A CorriLee Foundation Fund Raising Event
TO BE OPENED BY EDMUND CAPON
'Nana No Hats' (edited by Ita Buttrose) Cook Book Launch for Alzheimer's Australia including a Food Photographic exhibition of Laura Robin's work
TO BE OPENED BY EDMUND CAPON
'Nana No Hats' (edited by Ita Buttrose) Cook Book Launch for Alzheimer's Australia including a Food Photographic exhibition of Laura Robin's work
Corrilee Foundation
one-night-only fundraiser
Thursday 28 November
- See more at:
http://www.richardmartinart.com.au/pages/exhibitions.php#sthash.i0j1dh68.dpuf
one-night-only fundraiser
Thursday 28 November
A CorriLee Foundation Fund Raising Event
TO BE OPENED BY EDMUND CAPON
'Nana No Hats' (edited by Ita Buttrose) Cook Book Launch for Alzheimer's Australia including a Food Photographic exhibition of Laura Robin's work
TO BE OPENED BY EDMUND CAPON
'Nana No Hats' (edited by Ita Buttrose) Cook Book Launch for Alzheimer's Australia including a Food Photographic exhibition of Laura Robin's work
Corrilee Foundation
one-night-only fundraiser
Thursday 28 November
- See more at:
http://www.richardmartinart.com.au/pages/exhibitions.php#sthash.i0j1dh68.dpuf
one-night-only fundraiser
Thursday 28 November
A CorriLee Foundation Fund Raising Event
TO BE OPENED BY EDMUND CAPON
'Nana No Hats' (edited by Ita Buttrose) Cook Book Launch for Alzheimer's Australia including a Food Photographic exhibition of Laura Robin's work
TO BE OPENED BY EDMUND CAPON
'Nana No Hats' (edited by Ita Buttrose) Cook Book Launch for Alzheimer's Australia including a Food Photographic exhibition of Laura Robin's work
Thursday, 14 November 2013
Artist Feature | Gordon Richards | The Brag Magazine
Gordon Richards
Slippery When Wet IIacrylic on linen
137 x 167 cm
- See more at: http://www.richardmartinart.com.au/pages/enlargement_exhibitions.php?current=3&workID=4190&exhibitionID=158&artistID=22#sthash.9LpvX29b.dpuf
Slippery
When Wet
[VISUALARTS] OnTheMove
ByLouiseJeckells
Victorian
chef-cum-painter Gordon Richards’ latest artworks depict movement in the still
space. The artworks were developed after Richards’ partner had an unfortunate
ice-skating accident, which gave life to the name of the exhibition, Slippery
When Wet. “Last Christmas I was right behind my partner when she had an
accident. She flew, quite gracefully, into the air, and landed very awkwardly
on the ice.” This sparked the initial sketches of the artwork, which later
became the paintings you’ll see currently on display.
Richards’
new show at Richard Martin Art in Woollahra demonstrates how prevailing
movement can be in a still space. Universally, the wheel or circle refers to a
constant state of motion. And here, he uses the unconstrained human form to
contrast with the mechanised bike frames and wheels.
Richards is
an exuberant lover of simplicity. His life as a chef was hectic and
unstoppable, but his now 20-year career as a painter has brought nothing but
elation and personal freedom. The words ‘personal freedom’ follow Richards
throughout his painting career as the transition between pieces and exhibitions
are very indicative of his relaxed lifestyle. “Things in our everyday life
always affect me. I don’t question what contributes to pieces. My work can be a
bit nostalgic and this exhibition is no different.”
The women
who appear in several of the artist’s past exhibitions, are again featured in
Slippery When Wet. The women are usually a mix between his partner and
daughter. “I don’t think about what or whom I am drawing at the time and then
when
I am done,
I can see that person.” Richards once painted a whole series of women drinking
around a table.
In the
initial stages of his current body of work, it was tough for Richards. Despite
the initial idea being formed, he painted over everything he originally drew.
“Painting for me requires a lot of thinking and a lot of downtime where I am
not physically creating anything. But there’s a long process before I am
completely happy with the finished piece. I usually draw everything and then I
try and work fairly quickly to get it out and painted. The next painting is
always better than the last. The next show is only as good as the final
painting.” Richards sees this as a wonderful way of self-evaluation. This mode
of thinking reflects Richards’ past life as a chef – their craft is only as
good as their last dish, right?
Richards talks about Slippery
When Wet as though the paintings were always going to come to fruition. “My
partner painted so that’s how I started. It became addictive and I’d get an
adrenaline rush ... I found it very similar to cooking, which was wonderful.”
Richards notes the similarities between food and painting, “both are dependent
on colour and texture and you must have a good eye for both of these things.”
The Brag Magazine / The Brag.com - [VISUALARTS] OnTheMove ByLouiseJeckells October /November 2013
Gordon Richards
Slippery When Wet IIacrylic on linen
137 x 167 cm
- See more at: http://www.richardmartinart.com.au/pages/enlargement_exhibitions.php?current=3&workID=4190&exhibitionID=158&artistID=22#sthash.9LpvX29b.dpuf
Gordon Richards, Slippery When Wet II, acrylic on linen,137 x 167 cm
Exhibition: 2 November – 20 November 2013
CLICK HERE TO VIEW THE ONLINE CATALOGUE FOR GORDON RICHARDS
CLICK HERE TO VIEW THE ONLINE EXHIBITION FOR GORDON RICHARDS
For further details and images please contact the gallery
GALLERY HOURS: TUESDAY - SATURDAY 11AM TO 6PM, SUNDAY 12 - 5PM
Friday, 25 October 2013
Australian Cows Star in 'Surrealistic' Escape - USA TODAY & ABC NEWS AUSTRALIA
GALLERY ARTIST FEATURE | ANDREW BAINES
CLICK ABOVE TO WATCH
A black and white herd of Australian dairy cows have been lead to a
beach in the name of art. The animals are part of an unique work of art
created by surrealist artist Andrew Baines - as seen on USA TODAY, 25th October 2013
CLICK ABOVE TO WATCH
Surreal moment of bovine beauty at
Geelong beach. Artist Andrew Baines photographed cows standing in the water with handlers off a Geelong beach in an unfamiliar outing by the seaside.
- as seen on ABC NEW AUSTRALIA, 21 October 2013
Saturday, 19 October 2013
Thursday, 17 October 2013
Tuesday, 1 October 2013
DIANA WATSON | RONDO | 2013
DIANA WATSON
RONDO
14 SEPTEMBER - 9 OCTOBER 2013
Diana Watson's rich palette and layered glazes give a jewel-like quality to her
exceptional paintings, evoking the renaissance painters with her
sumptuous still life arrangements and glorious flowers. In keeping with
the classic allusions in her works, her current exhibition at Richard Martin Art, 'Rondo' references Rondo a word used in music, most often in reference to a musical form.
Tuesday, 6 August 2013
STOCKROOM SALE
Many
artworks featured on our website are included in the sale.
Please
contact the gallery for information and sale prices.
info@richardmartinart.com.au (02) 9327 6525
Saturday, 13 July 2013
WALDEMAR KOLBUSZ
RICHARD MARTIN ART PRESENTS
WALDEMAR KOLBUSZ
13 – 31 July 2013
Perth-based painter Waldemar
Kolbusz takes as his central artistic agenda the language of colour and form.
His deeply expressionistic paintings emphasise dynamic, energetic gesture in
contrast to a reflective cerebral focus on more open fields of biomorphic
colour. Inspired by the New York School greats Rothko and Motherwell, Kolbusz’s
work resists formal categorisation by eluding a static sense time and place.
Kolbusz’s latest body of work at
Richard martin Art marks the artist’s heroic vision of human irrationality and
vulnerability. The simplified, astute geometry and large-format of Kolbusz’s
work aligns with an exodus of pictorial means to foreground the elemental
impact of colour-dominated fields. In violent opposition to previous
exhibitions, this new body of work foregoes any reference to memory, association,
nostalgia, legend and myth, instead relying on viewers’ freedom of
interpretation to generate reactive feeling.
“I am an expressive painter
primarily concerned with employing challenging combinations of colour and
shape. My preoccupation is to paint works which generate an original awareness
of colour, an element which saturates our existence,” says Kolbusz. (2008)
Kolbusz has been painting for
over a decade; in 1996 at the age of 28, he left his then career in accounting
to revisit his passion for the arts. Today his work is exhibited and collected
both nationally and internationally and he continues to enjoy critical acclaim
in today’s competitive artistic landscape. One of Kolbusz’s most meritable
achievements thus far was his collaboration with renowned designer Aurelio
Costarella in April 2013. Kolbusz interpreted the designer’s summer 13/14 collection
palette to produce a series of four works that were subsequently used as
backdrops to the designer’s multi-platform installation-come-fashion parade at
Mercedes Benz Fashion Week 2013.
of Waldemar Kolbusz painting works for the
Costarella collaboration for Mercedes Fashion Week Sydney 2013
Richard Martin Art has represented Waldemar Kolbusz
since 2008. His work is held in several high profile corporate, public and
private collections in Australia, New York, Brunei, Germany and Spain.
Sunday, 9 June 2013
Stephanie Tetu's latest exhibition, FOLLY – age, opens on Wednesday 12 June
Stephanie Tetu, Red Morning, 2013, oil on canvas, 122 x 101cm. Courtesy of artist and Richard Martin Art.
For her third solo show at Richard Martin Art, passionate artist Stephanie Tetu unveils a joyous celebration of light-filled floral paintings that enjoy the refined use of colour and stroke.
Tetu's latest body of work FOLLY – age takes in its stride a delicate approach to the vulnerable nature of flowers and leaves. At the core of the artist's work is an understanding of life's fragility and the fleeting beauty we find in the natural environment of the everyday.
"I am inspired by fragments of life, by beauty that is short lived, by the constant cycle of birth and death. My subjects illustrate this saga with a mixture of grace and drama," says Tetu, "My inspiration for this exhibition is a beautiful quote from Leonard Cohen, 'There is a crack in everything, that's how the light gets in.'"
Richard Martin Art is delighted to invite you to the opening of FOLLY – age on the evening of Wednesday 12 June from 6-8pm.
Generously sponsored by Santa Vittoria Acqua Minerale & The Woollahra Hotel
Stay tuned for an upcoming Q&A with Tetu where she tell's Richard Martin Art about her practice, latest exhibition and plans for the future. Visit our Facebook page for more updates.
Wednesday, 1 May 2013
#fwp | first world problem | anthony bennett | new exhibition
" this exhibition is based on a firm belief in the philosophy that your day can only be enhanced by construction of a sentence that contains the word rhinoceros. There are, according to estimates, only 3000 black rhino left on the planet and poachers are killing 2 per day as horn prices exceed that of gold. This demands a conversation at every opportunity. " a.b 2013
Wednesday, 24 April 2013
FINAL WEEK || MUST SEE || PETER HICKEY
Renowned painter and master printmaker,
Hickey’s recent works imitate his love for
nature and animals. Years of drawing at
Taronga Zoo have provided the direction
for new works which are now on display
within the MLC Centre pop-up gallery.
On display until 28 April, Peter Hickey is
On display until 28 April, Peter Hickey is
the third and final artist showcased
in the pop-up gallery space.
Please note: this exhibition is showing at
The MLC Centre
Corner of King and Castlereagh Streets,
Martin Place, Sydney NSW Australia
Corner of King and Castlereagh Streets,
Martin Place, Sydney NSW Australia
Tuesday, 16 April 2013
PETER HICKEY - SHOWING - MLC POP-UP GALLERY
Renowned painter and master printmaker,
Hickey’s recent works imitate his love for
nature and animals. Years of drawing at
Taronga Zoo have provided the direction
for new works which are now on display
within the MLC Centre pop-up gallery.
On display until 28 April, Peter Hickey is
On display until 28 April, Peter Hickey is
the third and final artist showcased
in the pop-up gallery space.
Please note: this exhibition is showing at
The MLC Centre
Corner of King and Castlereagh Streets,
Martin Place, Sydney NSW Australia
Corner of King and Castlereagh Streets,
Martin Place, Sydney NSW Australia
Sunday, 24 March 2013
Tuesday, 5 March 2013
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